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Monday morning, the Dallas Mavericks announced they were waiving veteran center Dwight Powell. It was a strange, emotional moment for Mavericks fans: with nearly 12 full seasons in Dallas, the Canadian big man was the team’s longest-tenured player, a stabilizing force that was present for the end of Dirk Nowitzki’s reign, the entirety of the Luka Dončić era, and the beginning of Cooper Flagg’s emergence. 

Powell ends his time in Dallas averaging 7/4 in 17 minutes, and with no shortage of franchise accolades—top 10 in rebounds, top 5 in bench scoring, and even top 5 in games played. His departure, though, represents much more than the loss of a steady on-court contributor. It also means the loss of one of the NBA’s only known poets. 

“Poetry and self-expression through the written word for me was around before the ball,” Powell said in a 2024 interview with WFAA. “It’s a great place for me to speak to myself and to learn about myself, and although I may be writing about different things, and exploring different ideas, and talking about different experiences—at the end of the day, it all comes back to me… it’s a place where I can find peace.”

Literature and the arts have seen renewed interest in the NBA in recent years. In 2022, Shareef O’Neal told The Ringer that Scoot Henderson “reads all the time.” Three years later, Victor Wembanyama and Harrison Barnes made headlines with their science-fiction book club.

But Powell’s love of poetry is a bit more personal. More than just a hobby or passing interest, the Canadian big man has identified an important link between the words he writes and the points he scores. 

“Poetry, art, basketball—I honestly don’t see any separation,” said Powell in 2024. “Any time you have love for something, and you’re passionate about something, you’ll find a way to express yourself through it, and you’ll find yourself in it. So, through the written word, through poetry, and through my expression of myself through basketball—they’re all different translations of the same message. To me, they’re one and the same.”

Powell’s love of literature and the arts has previously informed his philanthropy and outreach in the Dallas area. In 2022, the veteran big man hosted the Mavs Reading Challenge at Martin Luther King Jr. Elementary School, reading from Barbara Barber’s Allie’s Basketball Dream. 

“One of the coolest parts about reading for me is that you can teleport yourself to a different place, to be a different person and view the world in a different way,” Powell said at the event. “You can go on all sorts of adventures without ever leaving your house. So as a child, that was a way for me to really explore with my mind. With every turn of the page, I knew something super exciting awaited.”

Now, poetry may light the way as Powell’s time with the Mavericks comes to a close. At a 2024 Poetry in the Square event hosted by the Thanks-Giving Foundation, the veteran big man reminded listeners that artistic expression is proof that “you can be literally anything—you can be all things.” 

“No matter what your profession is, no matter what circumstances you’re in… the routine of life can kind of get you out of rhythm at times,” said Powell, before reading his work on the virtue of wisdom. “For me to be able to sit down and write, I step away from some of the responsibilities, and step away from some of the stress. I’m able to check in with myself, which I think is super important.”

If you were to look up the words cool, stylish, flair, and all-time great in the dictionary, you would find four distinct definitions, each describing a quality that few individuals can truly embody.

Cool: Very fashionable, impressive, or appealing in a way that is universally admired.

Stylish: Possessing a high degree of quality in appearance, design, or behavior.

Flair: A natural talent or ability to do things in an original, stylish, and captivating manner.

All-Time Great: An individual regarded among the very best to ever perform in a particular field, sport, or profession.

What’s missing alongside each of these definitions in the dictionary is a picture of Walt “Clyde” Frazier. Throughout the storied history of the NBA, countless legends have left their mark on the game, but few, if any, have embodied all four qualities quite like Frazier. From his legendary playing days with the New York Knicks in the 1970s to his continued presence as one of the most recognizable personalities in basketball more than five decades later, Frazier remains in a class of his own, both on and off the court.

A man whose legendary style extends far beyond his flamboyant wardrobe, Frazier helped define an era of New York basketball, captivating fans with his effortless cool, unparalleled court vision, tenacious defense, and undeniable flair.

Widely regarded as one of the greatest players in New York Knicks franchise history, Frazier’s place among basketball royalty is unquestionable. A two-time NBA champion, seven-time NBA All-Star, and member of both the NBA’s 50th and 75th Anniversary Teams, his legacy is as timeless as the city he helped bring to basketball prominence.

Simply put, there has never been another Walt “Clyde” Frazier. And chances are, there never will be.

Let’s start with his style. Clyde’s style was unlike anybody else’s in the NBA during the ‘70s, and to this day, there still hasn’t been a close second. As a young man in his twenties, Frazier became just as recognizable for driving around New York City in his custom Rolls-Royce while sporting a full-length mink coat and fedora as he was for his play on the court. Today, his fashion sense remains as distinctive as ever. Throughout a broadcasting career spanning nearly 40 years, including almost 30 as a television commentator for MSG and the Knicks, his wardrobe has remained unmistakable, from tiger-print suits to custom blazers reminiscent of Joseph’s Technicolor Dreamcoat. There arguably hasn’t been a more fashionable icon in the NBA’s nearly 80-year history.

Frazier was a trendsetter, one of the first NBA players to truly express his personality through his wardrobe, at a time when players were largely known for what they did on the court rather than what they wore off it. His style became a part of his identity, both during his playing days and throughout his broadcasting career, setting him apart from his contemporaries and the generations of NBA stars who followed.

So, just how did Walt Frazier become Clyde?

“Coming to the Mecca. New York City. Fashion, passion,” Frazier explains. “When we played, we wore suits and ties to the game. We were always trying to outdress each other. Our idols were The Temptations, The Four Tops. So we emulated the way these guys performed.”

As Frazier recalls, the influence of Motown played a significant role in shaping his style, much like hip-hop has influenced today’s NBA players.

“Today you see the guys dressed like the rappers… our style was created from Motown. And I took it to another level with the Clyde. One day I bought this wide-brimmed hat and I wore it to the game and everybody go, hey, look at Clyde. And I used to steal the ball on the court.”

But the nickname would eventually become much more than just a reflection of his wardrobe.

“Then I was blessed enough to be the first guy to endorse a sneaker, the Puma Clyde in 1973. So that was the evolution of the mink coat, the Rolls Royce. So it was just my being around New York and observing people watching the Clyde persona personified.”

On the court, Clyde helped lead the Knicks to their first two NBA championships in 1970 and 1973, with the greatest performance of his career coming in Game 7 of the 1970 NBA Finals. With the championship on the line, Frazier delivered one of the most memorable performances in NBA Finals history, scoring 36 points, dishing out a Game 7-record 19 assists, grabbing seven rebounds, and sinking all 12 of his free throws to help secure the Knicks’ first NBA title.

While Clyde’s performance in Game 7 ultimately helped lead the Knicks to their first-ever NBA championship, Clyde and his teammates also received some unexpected motivation from their captain, Willis Reed, who, despite battling a severe leg injury, famously limped onto the court just before tipoff.

“People thought it was premeditated, but we did not know he was coming. So when we came on the court, we were just as flabbergasted as everybody else when we saw him.”

Frazier recalls how Reed’s unexpected appearance immediately changed the team’s confidence.

“By seeing him, it gave us so much confidence. And obviously, he started the game. He made his first two shots. And I thought the Lakers were psyched out from that point, and I would have the game of my life.”

With two NBA championships, seven All-Star appearances, four All-NBA First Team selections, and numerous other accolades to his name, Frazier was inducted into the Naismith Memorial Basketball Hall of Fame in 1987. His No. 10 jersey also hangs in the rafters of Madison Square Garden, making him one of just eight Knicks players to have their numbers retired by the franchise.

But while Frazier’s playing days eventually came to an end, his connection to the Knicks and Madison Square Garden was far from over. In 1987, Clyde began a new chapter with the organization, trading his sneakers for a microphone as he transitioned into broadcasting, where his unmistakable personality and signature style would once again make him a fixture in New York basketball.

Clyde became famous for his iconic on-air rhymes, including “razzlin’ and dazzlin’” and “posting and toasting,” the latter of which inspired the name of our very own website. Frazier explained that his signature rhymes developed naturally as he gained experience in broadcasting and began to understand the nuances of being a color commentator.

“The play-by-play guy does most of the talking on radio. So in order to get into sometimes what I had to say, I had to use rhymes and, you know, that’s how I started doing it.”

With our website’s name paying tribute to one of Clyde’s most recognizable catchphrases, it was only fitting to ask him what he thought about Posting and Toasting.

“Yeah, I read you all the time. I enjoy it, man. It’s very good.”

With the Knicks winning their first championship since 1973, when Clyde hoisted his second trophy, Frazier reflected on the similarities between his championship teams and the current roster.

“It’s an uncanny comparison, man. We personify a team. You can’t mention Frazier without Bradley, without Reed, without Barnett. Same thing with this team. You can’t mention Brunson without Hart, without Bridges, without KAT, without OG. So they personify a team. They’re very unselfish. They like each other. And it’s manifested in the way they play the game.”

And when asked which player from the Knicks’ 2026 championship roster would have fit in best alongside his former teammates, Clyde didn’t hesitate to name the Heart of the City, Josh Hart, pointing to his versatility and physical style of play.

“(Hart) rebounds, he defends, he scores, he plays with reckless abandon. So he would be that type of guy that would fit in our era, which was more physical. You know, we could hand check, push guys around the court. So I think Hart would be perfect for that era.”

As the 2026-27 NBA season tips off on Tuesday, October 20, with the players receiving their championship rings and the Knicks raising their third championship banner to the Madison Square Garden rafters, Clyde is teaming up with Spike Lee and AT&T for a special celebration with Knicks fans. As part of AT&T’s Connectivity Partnership, the two New York icons will travel across Manhattan in a taxi, making surprise appearances and giving fans opportunities to win exclusive NBA merchandise, signed memorabilia, and tickets to opening night.

“I’m teaming up with Spike Lee, and we’re going to be going to different stores, giving out prizes for AT&T, commemorating the next championship season, and rewarding the fans as well. So I can’t believe that. It seems like we’re still in it, man. You know, everybody’s still excited about the team winning and perhaps maybe repeating, you know, running it back, which hasn’t been done in about eight years. We’ll be coming, celebrating this season throughout the season, the Knicks accomplishment. And after 53 years, the Knicks are finally back on top. Fans can walk in peace and celebrate a championship.”

And while the excitement surrounding the Knicks’ championship continues into the new season, perhaps no moment captured the city’s celebration quite like the championship parade itself. As the players celebrated atop their floats and Mitchell Robinson made his way through the streets in his truck, it was only fitting that Clyde, who helped bring New York its first two championships, would lead the celebration through the Canyon of Heroes.

But it wasn’t just Clyde’s presence that made the moment special. It was the car he was riding in.

Frazier led the parade in the very same 1952 Chrysler Imperial Parade Phaeton that carried the Apollo 11 astronauts through the streets of Manhattan following their historic moon landing in 1969. Now that’s cool!

Covering the Knicks is difficult. MSG is a fortress with stingy gatekeepers who deny access to earnest bloggers. For a short period, a P&T staff writer used her legitimate newspaper credentials to access the media room and report back for us. When MSG learned of this, they barred her from future pressers.

My recent media day experience felt similar. In previous years, media day was live-streamed, and I blogged about it in real time. This year, a stream was unavailable. Hence, I scoured social media for updates and wrote a shameful amount of “Stef Bondy reports…” based on tweets that were already stiffening by the time I found them.

Making matters worse, everything—the clips from the mic and the interstitials in which the players answer trivia questions or name their top-5 whatever—seemed kind of . . . phony. Staged. The answers to questions about health, expectations, etcetera, all sounded as though read from cards.

This has sat funny with me. And when a friend asked about a recent news item, my opinion surprised him. Allow me to don my tin-foil hat and brace yourself: I believe KAT’s comments about not getting a contract extension, and the subsequent negotiating freeze, are all bogus.

With billions of dollars involved, nothing in the Knickerbocker world is random. Everything that comes out of MSG is managed. Shortly before my interviews with OG and Jose, which were arranged by PR firms and not the Knicks, I received a list of off-limit topics (religion, politics, injuries (his or anyone else’s), etc.). Similarly, most questions at team pressers seem obvious or prompted. Little is spoken into the mic without prior approval from the agent, front office, or coaching staff.

KAT is many things, including a terrible actor:

After the Knicks announced that contract negotiations would be suspended to focus on the impending season, Karl’s response smacked of mock-WWE surprise: “It was news to me. Very disappointed to say the least. Let’s state the obvious. It’s business, but there is business on the court for us to handle.”

Really? Caught completely off guard? Are we to believe that the front office is jerking around a blue-chip asset, the second (and occasionally first) most important player on a championship club? Leon’s crew, which attempts to orchestrate its machinations with shrewd precision, is surrendering to “Guess we’ll see what happens, champ?”

I suspect the freeze is a ruse. Decisions have been made already—contract extensions, trade partners have been engaged—but there’s reason to delay. Possibilities:

• A trade partner must clear salary space or convince their owner.
• NY expects better offers at the midseason deadline.
• NY wants to see which young players take a leap for potential trade partners and loop them into the package.
• NY needs time to convince us that a trade is good for the team despite just winning the championship.

Maybe that’s too much Ancient Aliens-type conspiracy conjecturing for you. Would you allow that there must be, at minimum, a document containing “If X, Then Y” scenarios? Those could be:

• If KAT doesn’t piss off Jalen by December and plays well, offer more.
• If KAT DOES piss off Jalen by December and plays well, execute Chicago trade.
• If KAT gets injured, offer less.
• If KAT underperforms, fake injury report and trade to Atlanta.

It can be true that James Dolan wants to avoid the second apron, and that crossing that dreaded threshold brings about punitive consequences to the team.

Also true? That it was STRANGE for the owner who famously lights money on fire (metaphorically, possibly literally) to go on talk radio RIGHT AFTER WINNING A CHAMPIONSHIP and declare the second apron to be an unbreachable line. And ODD for a front office that has worked hand in glove with King Dolan, and seems to have total impunity of decision-making, to be allegedly caught off guard by his statements. Flummoxed, even!

News to any of them? Probably not.

The league is ripe with phony-baloney antics. Scott Foster refs a Game Four and even the media calls him ‘The Extender.’ LeBron James dangles his talents from coast to coast for weeks before officially joining a team he’d surely chosen long before. Has the league ever formally apologized to the Kings for 2002? That Luka Dončić trade sure was weird, but at least the Mavs got Cooper Flagg. Beyond being shameful, the apparent fixes are so transparent that they’re embarrassing. There’s even some scuttlebutt about a frozen envelope. Can you imagine?

OK, you got me. Karl-Anthony did not know that negotiations would be suspended. Gotcha—Leon Rose has no idea what he will do with the champion All-Star, but his fingers are crossed that they can iron out a deal before KAT declines his player option and hops a Brinks truck to Atlanta. As with any conspiracy, once the endgame is revealed, we can say, “Yes, that was the plan all along. Knew it!” Really, we don’t know what will happen. We can’t. My hunch, though, is that the great reboundin’ Towns is bound out of town, and before his contract expires. The season is about to begin. I suggest savoring all the time you get with the man, fans.

Go Knicks.

The Dallas Mavericks are ready to start the 2026-2027 season on Wednesday October 21, 2026 when they head southeast to Houston to take on the Rockets. The 82-game slate ends on Sunday April 11, 2027 at home against the Memphis Grizzlies.

In between those two dates, the Mavericks will have at least 21 nationally televised games. This is the NBA schedule, however, so nothing is quite that simple. As per usual, some of the nationally televised games will also air on KFAA. We can also expect some flex, which could result in Dallas having nationally televised games either added to the docket, or removed. Barring any speculation for a moment, here is what we currently know.

• 21 games: The number of nationally televised games.
• 8 games: Televised on NBC.
• 6 games: Televised on ESPN.
• 4 games: Televised on Prime.
• 2 games: Televised on Peacock
• 1 game: Televised on ABC.

Aside from the above, KFAA will be your go-to for all other games (with five such games simulcast on WFAA, and more yet to be announced). If you are a non-local Mavs’ fan, NBA League Pass is going to be your access point to the majority of games throughout the year. MavsTV+ will also carry all games that are not nationally televised. 10 total games are exclusively nationally televised, with at least one such game falling under each of the above named stations. That means if you intend to watch all 82 Mavs’ games, you’ll need at least two streaming services (Prime and Peacock) to get the job done.

If you find yourself driving during game time, 105.3 FM The Fan is your way to listen, with 99.1 FM Zona MX featuring your Spanish broadcast.

I invite you to follow me @_80MPH on X, and check back often at Mavs Moneyball for all the latest on the Dallas Mavericks.

Cooper Flagg famously picked peas as a child to learn about hard work.

Others of us worked retail.

The Dallas Mavericks forward and former Duke standout steps into the shoes of a Foot Locker employee as the star of the company's "Hoops Lives Here" campaign. The ad debuts on Tuesday, Oct. 20 ahead of the 2026-27 NBA season tipoff. It shows Flagg wearing New Balance gear and hanging out playing video games in the backroom of a Foot Locker store. He assists an employee in reaching tall shelves, among other comedic moments.

“For me, basketball is everywhere in my life. Whether I’m playing, training, watching games or just spending time with people who love the sport, I’m always connected to it in some way," Flagg said in a statement of how the campaign concept resonates with him, noting, "It celebrates all the different ways basketball is part of our everyday lives and brings together those who share a passion for the game.”

The Mavericks open their season on Wednesday, Oct. 21 in a road matchup against Kevin Durant and the Houston Rockets. Flagg will be playing in his second season after being drafted No. 1 overall in 2025. He averaged 21.0 points, 6.7 rebounds and 4.5 assists en route to earning last season's Rookie of the Year award.

Flagg's ad follows the debut of Foot Locker's "Hoops Lives Here" campaign in May. In the original spot, Payton Pritchard lounges while eating Chinese takeout, Paolo Banchero makes a smoothie, Chet Holmgren gets ready in a mirror and Jewell Loyd prepares to go to sleep all inside a Foot Locker store.

This fall, Foot Locker became the official athletic footwear retailer of the New York Knicks and will help celebrate last year's championship, the team's first title in 53 years. Besides activations and promotions throughout the season, the company will host a one-day Rings ‘N’ Things pop-up with exclusive merchandise to commemorate the NBA Finals victory.