Worldwide Sports News

The Brewers return to Cactus League action Friday after an exciting 10–8 victory over the Colorado Rockies. Today’s game pits Milwaukee against the Arizona Diamondbacks for the first time this spring.

Chad Patrick is on the mound for the Brewers on the heels of Pat Murphy’s declaration that Patrick “will be in the rotation” to start the year. The right-hander showed up when called upon last year, putting up a 3.53 ERA in the regular season and a 2.00 ERA in six playoff games. Also scheduled to pitch today for the Crew are Jared Koenig and Peter Strzelecki. Pitching for the Diamondbacks is lefty Mitch Bratt, who had a 3.38 ERA in Double-A last year.

Today’s lineup is one you’ll probably never see in the regular season. Jake Bauers is leading off followed by Brandon Lockridge and Christian Yelich, who homered and reached base three times in his spring debut on Wednesday. A trio of offseason acquisitions — Akil Baddoo, Reese McGuire, and David Hamilton — will follow Yelich. Prospects Luis Lara and Jesús Made are hitting seventh and eighth, respectively. Hitting ninth and playing second base today is Greg Jones, who the Brewers signed to a minor league contract in the offseason.

Today’s game will be broadcast via radio on WTMJ 640 and the Brewers Radio Network. First pitch is set for 2:10 p.m.

One of two remaining unbeaten teams nationally, the No. 3 Texas Longhorns face off against the USC Upstate Spartans for the first time this weekend at UFCU Disch-Falk Field in Austin as head coach Jim Schlossnagle’s team plays its final series before SEC play starts next week when the Ole Miss Rebels trip to the Forty Acres.

The weekend series marks the end of a nine-game road swing for the Spartans and the program’s first trip west of the Mississippi River as USC Upstate arrives with a 7-7 record in the midst of a two-game losing streak and at 4-6 on the road this season helmed by second-year head coach Kane Sweeney.

Last year, the longtime Spartans assistant led USC Upstate to its first-ever Big South regular season and tournament titles behind a powerful offense that ranked second nationally in hits (685) and runs (569), third in scoring (9.5), seventh in doubles (140), 10th in batting average (.315), and 19th in HBP (114), home runs (101), on-base percentage (.418), and slugging percentage (.524).

The head coach’s brother, Johnny, is the team’s standout designated hitter who was a first-team All-American last season with a slash line of .345/.500/.701 with 15 doubles, 18 home runs, and a program-record 82 RBI.

This year, the Spartans are still hitting well at .296 as a team, but don’t have a ton of power with 11 home runs — no player has more than two home runs on the year. Third baseman Jake Armsey is the team’s leading hitter at .354 with 10 RBI and 13 walks while center fielder Henry Zenor bats .333 with a team-high 13 RBI.

On the mound, the probable starters are left-hander Chris Torres (0-1; 8.25 ERA), right-hander Brent Stukes (2-1; 6.28 ERA), and right-hander Max Bianchini (1-1; 7.43 ERA) for a staff that has struggled on the way to a 6.03 ERA and 1.56 WHIP, allowing 18 home runs and 31 doubles. Redshirt freshman right-hander Jacob Kirby has started his career with four successful outings, posting a 0.00 ERA over 12.0 innings, striking out seven while limiting opponents to a .171 batting average.

The weekend rotation remains the same for Texas with senior right-hander Ruger Riojas (3-0, 1.12 ERA) takes the mound after a sensational start to the season — the UTSA transfer ranks fourth nationally with 30 strikeouts, recording at least nine in all three of his outings, including a career-high 11 in last Friday’s win over Coastal Carolina. Opponents are only batting .127 against the 6’0, 195-pounder.

The Horns have looked like a complete team early, outscoring its 12 opponents 109-22 with the help of a pitching staff that has allowed only 19 earned runs in 100 innings with the country’s second-best ERA (1.71) and WHIP (0.94), ranking 10th in OPS (1.012) and 13th in average (.330) nationally, and boasting a .988 fielding percentage that is tied for seventh-best nationally.

The start times are 6:30 p.m. Central on Friday, 2 p.m. Central on Saturday, and noon Central on Sunday, although storms forecast for Saturday afternoon could impact the game. All three games air on SEC Network+.

It’s been a little bit of a tougher week for the Colorado Rockies in the pitching department this past week. Offense across the league has been making an impact in the Arizona weather, and Rockies pitching has fallen into some old traps as they try to work through new pitches and find command.

Chase Dollander (0-0, 2.25 ERA) is one such pitcher trying to find himself in camp early on. While Dollander’s numbers are solid enough in the four-inning sample size, it’s clear that he’s been having trouble putting hitters away once he gets to two strikes. Lengthy at-bats and deep counts have shown he needs to dial things in and find a way to put hitters away with the strikeout. Still, he’s getting ground balls, and there is improvement as he battles for a roster spot.

J.T. Ginn (1-0, 0.00 ERA) will take the ball for the Athletics. Through two starts, Ginn has allowed just one hit over five innings with five strikeouts and two walks. The 26-year-old righty appeared in 23 games, including 16 starts, with the A’s last season while posting a 5.08 ERA in 90 1/3 innings. He’s off to a strong start in camp, but his command was a little iffy last season, meaning the Rockies can try to continue working on their plate discipline in this game.

First Pitch: 1:05 MST

TV: None

Radio: Athletics – A’s Cast

Lineups:

Please keep in mind our Purple Row Community Guidelines when you’re commenting. Thanks!

As we head into the third weekend of Spring Training, the A’s are at home to face off against the NL West’s Colorado Rockies.  The teams will go at it at Hohokam Stadium in Mesa, Arizona today at 12:05 PST.  The 4-7 A’s have had some life in their bats this past week, scoring 40 runs since the calendar turned the page to March. And while I’m the first to say those run totals are meaningless in the big picture of things, it also fuels my belief that the offense is going to produce, and the success or failure of this 2026 club will rest upon the arms of the pitching staff.

J.T. Ginn will get the first shot at the Rockies today. He’s got a win with two starts and five innings this spring without giving up a run.  He’ll go up against Chase Dollander for the Rockies. Dollander has also started two games and gone four innings with a 2.25 ERA.

Jeff McNeil falls into the leadoff spot today since Nick Kurtz isn’t in the starting lineup. I think many of us assumed this would be the reality even when Kurtz was playing. It will be interesting to see if this is a change just for today or a sign of the future batting order.

Dollander will face this lineup for the A’s today:

Ginn will go up against this batting order for the Rox today:

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If it is not obvious, the Dodgers and the United States are merely borrowing Shohei Ohtani, as most recently evidenced by Ohtani’s recent batting practice session at the Tokyo Dome in preparation for the upcoming World Baseball Classic.

With that in mind, in November 2025, MLB announced a documentary film about the 2025 Tokyo Series, titled Homecoming: The Tokyo Series. The documentary is billed as an examination of baseball in Japan with intersecting stories involving the five Japanese players who participated in the 2025 opening series: Ohtani, Yoshinobu Yamamoto, Roki Sasaki, Shota Imanaga, and Seiya Suzuki.

Per MLB.com:

Baseball might be America’s pastime, but it is also an omnipresent part of everyday life in Japan.

Never was that more clear than during Major League Baseball’s Tokyo Series between the Cubs and Dodgers that opened the 2025 regular season this past March. That two-game series — headlined by Japanese superstars Shohei Ohtani, Yoshinobu Yamamoto, Roki Sasaki, Shota Imanaga and Seiya Suzuki — and the impact of baseball all around the country is the focus of a new documentary that will be coming to movie theaters soon.

“Homecoming: The Tokyo Series” celebrates the intersection of culture and global sport, illuminating how baseball unites beyond borders. Produced by Supper Club and in coordination with MLB Studios and BD4, Banijay Americas’ premium documentary label, the documentary will be shown in theaters on Feb. 23 and 24, distributed by Fathom Entertainment.

The documentary had a two-day limited theatrical run in theaters in late February 2026. For those who missed the documentary in theaters, CNN announced that the network would exclusively bring the documentary to its new streaming offering on March 27.

As we have covered, the 2025 Tokyo Series was both a massive cultural event in Japan and a runaway financial hit, leaving the sport wondering when Tokyo Series 2: Electric Boogaloo will happen with the Cubs and Dodgers.

There has been only one review of the film by Shikhar Verma of High on Films, who rated the film 3.5 out of 5. True Blue LA was provided with a screener of Homecoming: The Tokyo Series, and I watched the 90-minute documentary twice for this review.

Review of Homecoming: The Tokyo Series

The film barely scratches the surface of what it was like to experience the 2025 Tokyo Series. If I had to describe the film in a single sentence, it would be “atmospheric but light in substance.”

This criticism is not to say that the documentary is bad or not worth watching. The documentary suffers greatly from not deciding on a focal point, of which there are many. If you want a coherent story or narrative from this documentary, you will be disappointed. Here is how the film was described in its theatrical release:

Homecoming: The Tokyo Series explores Japan’s deep bond with baseball, culminating in the 2025 MLB Opening Day games in Tokyo as hometown heroes Shohei Ohtani, Yoshinobu Yamamoto, Roki Sasaki, Shota Imanaga, and Seiya Suzuki return to where their baseball dreams began. Through the lives of those shaped by the game, the film reveals how baseball bridges generations, connects nations, and reflects the balance between tradition and modern life. More than a chronicle of a sporting event, it is a portrait of a nation’s enduring love for baseball and the pride of watching its stars come home.

I would have loved to have watched that film, because the film I watched does not match this synopsis.

What happens when you do not pick a lane

The best way to describe Homecoming: The Tokyo Series is a mish-mash of two films with little overlap. If Director Sterman could pick a lane, I think the documentary would be infinitely more coherent.

On the one hand, you have a series of slice-of-life vignettes between a mother and adult son, Yasuko and Toru Tanahara, running a youth baseball team in Osaka, a player on the team and his father in Osaka, respectively Kanato and Shogo, superfan and salon owner, Hironobou Kanno, in Oshu (Ohtani’s hometown), owner of a glove restoration business, Re-Birth, Tomohiro Yonezawaya, in Ota (a ward inside Tokyo), master craftsman of bats for Mizuno, Tamio Nawa, in Yoro, discussing their individual stories and love affairs with baseball in Japan.

None of these threads end up at the Tokyo Dome to watch the Tokyo Series, or even overlap, which is a shame given the passion involved and appropriateness of the conclusion, considering the gravity of the homecoming happening in the literal background. The closest we get to an overlap of our cast and Tokyo Series is when Mr. Kanno is shown watching Game 2 of the Tokyo Series at home. Given how little the Tokyo Series is discussed or covered in this portion of the movie, you can excise it entirely and still have a lovely, atmospheric documentary on Japanese baseball, both in its place in Japanese culture and history.

To play Devil’s Advocate for a moment, tickets to the Tokyo Series were notoriously hard to get, even with all the efforts made to make the tickets available for Japanese locals. The face value for my Game 1 ticket was 32000 yen (about $212.84). Even with an anti-scalping law on the books, I paid exponentially more; therefore, gathering tickets for as many subjects as the film had was likely not feasible.

In the film’s other part, you have American expatriates like Jason Coskrey of The Japan Times, Jim Allen, a longtime freelance columnist, and Meghan Montemurro, Cubs domestic beat writer for the Chicago Tribune, discussing the nuances and characteristics of Japanese baseball with the backdrop of the Tokyo Series. In what had to be a logistics-driven decision, this portion of the film is largely Cubs-centric, with Montemurro going to the Cubs’ team dinner before the series and an off-site visit to a Japanese elementary school with former Cubs Derrek Lee and Kosuke Fukudome on March 19.

However, the inarguable main story of the Tokyo Series is Ohtani’s return to Japan, but the documentary is either unwilling or unable to give the topic the attention it deserves. Ohtani in Japan is a cross between The Beatles, Michael Jordan, and Babe Ruth: a blend of cultural zeitgeist and omnipresent history. One cannot overstate the imprint Ohtani has made and continues to make in Japan. One can see this impact in the sheer volume of advertisements in which Ohtani appears, which is not surprising given that he made $100 million from advertisements last year, leading all athletes worldwide in 2025.

Put another way, in the days leading up to the Tokyo Series, thousands of fans filled the Tokyo Dome just to watch the Dodgers and Ohtani practice. Not play, practice.

Per Bill Plunkett of The Orange County Register on March 14, 2025:

MLB put tickets on sale for Friday’s workouts at the 55,000-seat facility known as “The Big Egg” and capped the crowd at approximately 10,000. Tickets priced at 2,000 yen (about $13) were gone within an hour and 10,507 showed up to watch their favorite team – say it in your best Allen Iverson voice – practice.

The Dodgers’ Tokyo Series opponents, the Chicago Cubs, worked out earlier in the day Friday in front of a much smaller crowd. For the Dodgers’ workout, the fans showed up, indeed painting the lower level of the seating area in Dodger blue.

A group of Japanese fans seated behind the Dodgers’ dugout were so ardent in their support they called out the names of players as they jogged out of the dugout onto the field, regardless of their stature – from All-Star outfielder Teoscar Hernandez to relief pitcher Anthony Banda…

When the star of the show, Ohtani, emerged from the dugout to do some running drills – he rarely takes batting practice on the field and didn’t Friday – his appearance drew a gasp from the crowd and then loud applause. His every move on the field during his brief appearance was shown on the large video board in center field.

“I really feel the excitement of the country with the games being played here,” Yamamoto said.

One would be oblivious to these facts if relying solely on Homecoming: The Tokyo Series. With no disrespect to Yamamoto, Sasaki, Suzuki, or Imanaga, if any or all of these players were not present, the Tokyo Series would have still gone on with nary a blip. Not so for Ohtani, as he’s that central to the overall narrative.

While Tokyo was gripped by Tokyo Series fervor, folks recognized my Dodgers cap and surmised I was there, even though I was as far away as Kumamoto. The U.S. equivalent is someone being able to figure out what you are doing in the country based on your appearance in Portland, Oregon, or Salt Lake City, Utah, for a contemporaneous event at Dodger Stadium.

In the documentary, Ohtani’s hometown is briefly featured, and a snippet of the media day press conferences is included. Accordingly, Ohtani’s absence is omnipresent in the documentary, except when the actual Tokyo Series is shown. In the vignettes about Japanese baseball, his absence, except as a figure of admiration or motivation, makes sense, since famous athletes are generally not daily fixtures in our everyday lives.

But for the portion of the film focusing on the lead-up to the Tokyo Series, it is an utterly inexcusable decision.

To further illustrate this point, imagine a hypothetical documentary about the 2025 World Series, but set from the Toronto Blue Jays’ point of view. Further imagine that the focal point was not Vladimir Guerrero Jr. or Ernie Clement (who both had a stellar series), or even Jeff Hoffman (the tragedy of the closer who blew it), but rather Kevin Gausman (the pitcher who got beat twice) or Brendon Little (he was there largely as an observer except for one solitary moment).

This hypothetical documentary would be a confusing watch because of an inherent flaw in its construction stemming from the wrong focus; instead, say MVP Yoshinobu Yamamoto. Anecdotally, I saw far more Dodgers gear and fans than Cubs fans, and if pressed to estimate, I would put the split at around 85/15 in favor of the Dodgers during the weeks I was in Japan.

Homecoming: The Tokyo Series has the same faulty construction of viewpoint; whether to make the Cubs the focal point of the Tokyo Series coverage was a choice between logistics and directorial discretion, and it remains open.

Playing fast and loose with the truth

Ultimately, the documentary’s odd lack of focus is not its only flaw. In many ways, the regular-season games between the Dodgers and the Cubs are arguably an afterthought. The fact that Ohtani et al. returned to Japan to play games is more important than the actual results, which saw the Dodgers sweep.

The real story is that the Tokyo Series happened at all and, in general, was a celebration of and for Japan. Accordingly, Japanese players are becoming more common in MLB. To its credit, Homecoming: The Tokyo Series gets these facts correct during this portion of its runtime.

However, Coskrey, Allen, and Montemurro discuss the unique characteristics and energy of Nippon Professional Baseball (NPB), which is generally a loud, musical, and energetic affair. Japanese baseball can almost be thought of as a martial art, with an emphasis on small-ball fundamentals over the three-true outcome currently embraced in MLB.

This rowdy energy from the crowd was certainly present during the exhibition games between the Dodgers, Cubs, Tokyo Giants, and Hanshin Tigers.

It is worth noting that the Tigers won both of their exhibition games against the Cubs and Dodgers by shutout. And one would expect that energy to be present during the actual Tokyo Series, except it was not.

In a decision to fudge with the facts to support the narrative that NPB is loud and rowdy, Homecoming: The Tokyo Series decides to play fast and loose with the facts, pumping in crowd noise during the game sections and weirdly festishing the pregame activities by playing around with the chronological order of things.

First, while the exhibition games did live up to NPB’s reputation, the Tokyo Series had more in common with COVID-era baseball or The Masters through the aggressive, omnipresent silence from the crowd for most of the series, especially Game 1. This observation is not criticism, as the crowds were respectful and excited when any of the Japanese players played.

The first at-bat of the season was Shohei Ohtani. One would expect this crowd to be rowdy in rapturous joy. Instead, the atmosphere was generally quiet, rapt awe, as demonstrated below, which persisted for large portions of both games. Generally, fans did loosen up as the games went on, but it was a far cry from what I had come to expect from an NPB stadium.

As an aside, fans watching Ohtani practice and play at the Tokyo Dome now have loosened up considerably, even though restrictions on amateur or non-official videography and photography have emerged.

Here is what I said about the Tokyo Dome’s atmosphere at the time:

I was expecting a rowdy, NPB-like atmosphere with bands, chanting, singing, and general tomfoolery over two days. Instead, I got two nights at The Masters.

The observation is not a criticism but a realization that I had an imperfect understanding of Japanese baseball fans. If you wanted to experience what NPB is known for in the Tokyo Series, your best bet would have been to watch the exhibition games against the Hanshin Tigers or Yomiuri Giants.

In my observation, the local fans were far more invested in the returning players, most notably Shohei Ohtani. They would react when any of the five returning Japanese stars were in the game or in a pinch. The rest of the time? Not so much.

During the highlights of Game 1, Homecoming: The Tokyo Series makes the bizarre decision to show the pregame festivities of Game 2, featuring taiko drums and traditional Japanese garb, as if they were part of Game 1, which is factually incorrect.

Game 1’s actual festivities? A celebration of baseball and Pokémon, complete with five-foot-tall Pikachu wearing road grey Los Angeles jerseys and home white Chicago jerseys. Each starting player was introduced with both his name and an associated, unique Mega Pokémon. For example, Ohtani had Mega Garchomp, Pete Crow-Armstrong had Mega Lucario, and Max Muncy had Mega Gengar.

Eventually, Homecoming: The Tokyo Series uses footage from Game 1, where you can see the Pikachus in the background, so there was no reason to fudge the timeline of events.

Final Score

For what it’s worth, Homecoming: The Tokyo Series never rises to meet the sum of its parts, which is a disappointment. Those unaware of the film’s faults will likely leave cinemas wondering what they just watched.

The film promised a story worth telling that I would greatly like to see on the screen someday. For its scope, the film has only generalities and slice-of-life vignettes rather than a cohesive narrative, much to its detriment.

For those who wish to re-experience what it was like in Tokyo during those days, I would recommend visiting my previously submitted essays, the Talk Dodgers to Me podcast’s Tokyo episode on the adventures of hosts Melissa Myer, Jaclyn Ruiz, and Aly Parker, and journalist Molly Knight’s Substack essays on the topic.

Today we look at the Cubs’ veteran swingman.

Cascade, Iowa-born Colin Rea is a well-traveled player, having had stints as a Padre, Marlin, Cub, Brewer, and Cub again. In seven years in the majors, he’s amassed a 1.9 bWAR (4.4 fWAR), a record of 37-27, a 4.41 ERA, 91 home runs, 182 bases on balls, 493 strikeouts, and 2 saves in 126 games, with 103 of them being starts.

He didn’t play very much with San Diego, who picked him in the 12th round in 2011, and was injured after going to Miami in 2016. He didn’t play in 2017-2019, resurfacing with the Cubs in 2020, where he didn’t really distinguish himself but showed enough for the Brewers to pick him up for the 2021 season. He spent 2022 in Japan and returned to Milwaukee, where he pitched quite a bit, and turned in decent seasons — especially his 2024 season, when he posted a 16-7 record, with a 4.29 ERA and 1.9 bWAR (0.8 fWAR).

He pitched for the Cubs in 2025, turning in an 11-7 record with similar statistics, and is expected to once again post similar stats, with his innings count is expected to be about half of that of the previous three years, in the 80 to 85 range, providing insurance against injury to the members of the Opening Day rotation. He is not expected to start as often as previously. (The exception is ZiPS, who expect overall similar performance.)

His SO/9 is usually in the 7-7.5 range. He doesn’t walk too many people, doesn’t give up a ton of home runs, and can be depended on to keep his team in the game. Most of his WAR stems from the last three years, lending credence to the view that his time in Japan really helped his cause. He’s 35, will be 36 in July, and who knows how much more time he has in The Show, but for now, he’s a perfectly cromulent sixth or seventh man, paired with Javier Assad, who fills a similar role.

Rea has all the pitches. He throws a four-seam fastball that sits 94-95, and in 2025 also fired a splitfinger, a sinker, slider, sweeper, curve, and cutter, in order of frequency. He throws a lot of first-pitch strikes.

We’ll see how long he keeps it up.

Almost nine years ago to this day, I wrote about the history of the World Baseball Classic, fearing its end and opining for its more thorough embrace. I opened with this:

The World Baseball Classic (WBC) should, ostensibly, be important. It’s a huge tournament that occurs only once every four years and features some of the best Major League Baseball talents and national stars, all competing to best represent their country. The preliminary rounds take place throughout the world, which theoretically should make them more accessible to a wider audience, and a number of MLB’s greatest international talents first gained fame on the Classic’s stage.

So why is it nearly impossible to find in-depth information on the WBC? What is the fate of the World Baseball Classic beyond 2017? Would changes to the tournament give it greater success, and is it even worthwhile to implement those changes? Why have they considered ending the WBC after this year?

Reporting to you now from 2026, I’m blown away by how different things are. There is no shortage of content or information about the WBC; many of the game’s biggest stars are competing; there were exhibition games all over the world against MLB teams. Heck, you can watch the games with relative ease and even hear some good announcers while you watch! It is an unmitigated joy to witness global baseball elevated in this way.

Here at LL, our intent is to create some game threads for the tournament, where you can caterwaul to your heart’s content about anything from Eduard Bazardo facing Andruw Jones’ son, Fernando Tatis Jr. looking radiant in the República Dominicana colors, Cal Raleigh catching Tarik Skubal or any number of other beautifully absurd WBC phenomena. But in the meantime, we thought it might be helpful to assemble a one-stop shop for all your WBC links and information. Enjoy!

• Brilliant Meet at the Mitt podcast listener Josh was inspired by our WBC talk in the latest episode and created this incredible site that allows you to easily click on an MLB team and see which players will be playing for which countries – and to then see what players might be playing on any given day. Plus a link to Gameday for said game. PLUS which network the game is being broadcast on!
• It’s truly amazing.
  • Since this is a volcano blog Mariners site, here’s a quick (there are 16, tied for first-most in MLB, plus two in the pitching pool for later play, italicized) list of M’s players and their teams.
    • Pedro Da Costa Lemos – Brazil
    • Josh Naylor – Canada
    • Guillo Zuñiga – Colombia
    • Michael Arroyo – Colombia
    • Julio Rodríguez – Dominican Republic
    • Luis Castillo – Dominican Republic
    • Charlie Beilenson – Israel
    • Dominic Canzone – Italy
    • Miles Mastrobuoni – Italy
    • Dane Dunning – Korea
    • Andrés Muñoz – Mexico
    • Randy Arozarena – Mexico
    • Dylan Wilson – Netherlands
    • Abdiel Mendoza – Panama
    • Cal Raleigh – USA
    • Gabe Speier – USA
    • Eduard Bazardo – Venezuela
    • Jhonathan Diaz – Venezuela
• Pool play began March 4 and runs until March 11. Quarterfinals and semifinals happen March 13 to 16 and the championship game is on March 17 at 5 p.m. PT. Here’s a simple link to the schedule.
  • Pool A (San Juan, Puerto Rico): Puerto Rico, Panama, Canada, Cuba, Colombia
  • Pool B (Houston): USA, Brazil, Italy, Great Britain, Mexico
  • Pool C (Tokyo): Japan, Chinese Taipei, Korea, Australia, Czechia
  • Pool D (Miami): Dominican Republic, Venezuela, Netherlands, Israel, Nicaragua
• You can keep track of the standings here.
• Curious about the rules within the tournament? Here’s a remarkably thorough breakdown of everything from player eligibility, to pitch limits (because yes, there are pitch limits. Gotta protect from The Sog), to tie break scenarios.
• Michael Clair, of MLB.com, has been covering baseball on a global scale for many years now (including a brilliant book about Czechia’s magical 2023 WBC run) and has a great archive of articles and is an excellent follow on whatever your preferred platform may be.
• Need some background music to get yourself jazzed for the WBC? Great news, they just dropped their first-ever WBC Soundtrack.