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The Cubs Looking Toward the Future:
- Matthew Trueblood (North Side Baseball): To Win in 2027, Chicago Cubs Need to Join the 300 Club. “The 2026 Chicago Cubs were (by far) the most expensive team in franchise history. Next year, they’ll have to spend even more just to maintain their standing. It’s time to see whether the Rickettses really care.”
- Vinnie Duber (Chicago Sun-Times): Four offseason questions facing Jed Hoyer, Cubs, who have pitching at top of lengthy to-do list. “The Cubs’ expectations won’t change for 2027; this will still be a team with World Series goals. But Hoyer’s front office has a lot to do to make next year’s team better equipped than the one that was rapidly bounced from the playoffs.”
- Doug Schwamb (Chicago Cubs On SI): Ranking the Cubs’ Biggest Offseason Needs After Wild Card Disaster. “Some changes need to be made, here are some of the biggest off-season needs the Cubs need to focus on.”
- Meghan Montemurro (Chicago Tribune {$}): Where do the Chicago Cubs go after falling short in the playoffs again? ‘We let it slip away.’ “Now they must conduct an autopsy on their season and course correct the areas that contributed to their postseason demise.”
- Cole Bair (Bleacher Nation): Position Player Plan, Pitching Problems, Non-Tender Candidates, and Other Cubs Bullets. “We’re left with Jed Hoyer’s end-of-season press conference and wondering how much baseball there will even be in 2027 when the lockout inevitably begins on December 1.”
- Brandon Glick (Cubbies Crib): Alex Bregman’s blunt 2026 Cubs assessment should serve as wake up call for Jed Hoyer. “Don’t let this fall on deaf ears.”
The Cubs Dwelling About the Past:
- Tony Andracki (CHGO): The most painful part of the early Cubs playoff exit. “In the wake of another Cubs playoff exit, we examine the painful part that will linger long after everything else.”
- Jake Misener (Cubbies Crib): Until Jed Hoyer and Tom Ricketts face hard truth, Cubs are destined to keep disappointing us all. “It’s time Cubs leadership acknowledges the elephant in the room.”
- Baseball Digest: PCA, Miz, Mason Miller honored by Baseball Digest. “Pete Crow-Armstrong of the Chicago Cubs has been selected Baseball Digest’s 2026 MLB Player of the Year.
The Cubs and What To Do in Free Agency:
- Doug Schwamb (Chicago Cubs On SI): One Cubs Free Agent They Can’t Afford to Lose (And One They Can). “The Chicago Cubs must decide who to keep and who to let walk in free agency. Here are some players to consider.”
- Brett Taylor (Bleacher Nation): Kevin Gausman Signing with Blue Jays “Seems Likely”. “They’re going to need to bring in multiple starting pitchers regardless, so retaining one or two, in addition to making a SIGNIFICANT external addition, could make sense.”
- Jordan Campbell (Cubbies Crib): Former Cubs bullpen project quietly elects free agency after brief turn as closer. “Yes, he was still around.”
- Justin Binkowski (Chicago Cubs On SI): Toughest Free Agent Decision Each Wild Card Loser Will Have to Make. “The offseason is now in full swing for these organizations.”
Food For Thought:
Marion Walter Jacobs (May 1, 1930 – February 15, 1968), known as Little Walter, was an American blues musician, singer, and songwriter. His revolutionary approach to the harmonica had a strong impact on the succeeding generations, earning him comparisons to such seminal artists as Django Reinhardt, Charlie Parker and Jimi Hendrix. His virtuosity and musical innovations fundamentally altered many listeners’ expectations of what was possible on blues harmonica. He was inducted into The Rock and Roll Hall of Fame in 2008, the first and, to date, only artist to be inducted specifically as a harmonica player. He was raised in Rapides Parish, Louisiana, where he learned to play the harmonica. He quit school, and by the age of 12 had left rural Louisiana and travelled, working odd jobs and busking on the streets of New Orleans, Memphis, Helena and West Helena, Arkansas, and St. Louis. He honed his musical skills on harmonica and guitar, performing with older bluesmen including Sonny Boy Williamson II, Sunnyland Slim, Honeyboy Edwards, and others.
Arriving in Chicago in 1946, he occasionally found work as a guitarist but garnered more attention for his already highly developed harmonica playing. According to Chicago bluesman Floyd Jones, Little Walter’s first recording was an unreleased demo recorded soon after he arrived in Chicago, on which Walter played guitar backing Jones. Reportedly frustrated with having his harmonica drowned out by electric guitars, Walter adopted a simple but previously little-used method: He cupped a small microphone in his hands along with his harmonica and plugged the microphone into a public address system or guitar amplifier. He could thus compete with any guitarist’s volume. However, unlike other contemporary blues harp players, such as Sonny Boy Williamson I and Snooky Pryor, who had also started using the newly available amplifier technology around the same time solely for added volume, Walter purposely pushed his amplifiers beyond their intended technical limitations, using the amplification to explore and develop radical new timbres and sonic effects previously unheard from a harmonica or any other instrument.
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